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Samuel Wagan Watson is an award-winning Indigenous poet and professional raconteur. Born in Brisbane in 1972, he is of Munanjali, Birri Gubba, German and Irish descent. Samuel’s first collection of poems won the 1998 David Unaipon Award. His fourth collection, Smoke Encrypted Whispers won the 2005 NSW Premier’s Award for the Book of the Year and the Kenneth Slessor poetry prize.
Samuel has toured Australia extensively as a writer, has been a writer-in-residence at a number of institutions and has toured New Zealand, Germany and Norway to promote his work. He is the son of prominent Brisbane-based academic, writer and activist Sam Watson. As a contemporary poet and performer Watson has been in demand at major literary festivals and poetry events, including adaptations of his poetry into animation with the support of the Australian Film Commission.
Carol Jenkins’ first collection of poetry Fishing in the Devonian (Puncher & Wattman, 2008) was shortlisted for the Victorian Premier’s Prize and the Anne Elder Prize. Her second full length collection, Xn, (Puncher & Wattman, 2013), was shortlisted for Western Australian Premier’s Prize. A chapbook, Night Croquet was published by Picaro Press in 2009. Her next book, Select Episodes from the Mr Farmhand Series, is due out from Puncher & Wattmann in 2016. Her work, including reviews, essays and short stories, has been widely published in journals and anthologies. Her artwork made the cover of the US literary magazine The New England Review. She also writes song lyrics, one of which was included ABC’s Sing! 2011. She was recently the Guest Editor for Cordite Poetry Review.
In 2007 Carol launched River Road Press, to record, produce and publish audio CDs of Australian poets. So far there are twenty one titles in the River Road Poetry Series, and a further four titles in various stages of production. As part of her work to promote Australian poetry she collaborates with the prestigious UK audio poetry web site The Poetry Archive, and the US Poetry Foundation, and both now feature a collection of significant Australian poets as a result of her work.
Jenkins’s blog Show Me The Treasure (www.showmethetreasure.blogspot.com.au ) is an eclectic exercise, pairing her own images with prose, and a good place to find links to her work online.
History of the Newcastle Poetry Prize
IN SEPTEMBER 1980, Peter Goldman stood in the middle of Civic Park during the Mattara Festival and handed out an A4 photocopied anthology of poetry to passers-by. The collection featured poems from local Hunter writers, with contributors ranging in age from six to eighty-one.
This anthology provided the spark for the first official Mattara Poetry Prize in 1981, overseen by two young academics at the University of Newcastle. Chris Pollnitz and Paul Kavanagh secured funding for the Prize from the Hunter Water Board and convinced A.D. Hope and G.A. Wilkes to be judges.
From these modest beginnings, the Mattara prize quickly established itself as the most prestigious poetry competition in the country, and is now known as the Newcastle Poetry Prize.
The Newcastle Poetry Prize is one of the major events of the literary calendar in Australia, bringing entries from across the nation. Each year, local and national poets compete with internationally recognised names such as Peter Porter, Les Murray, Bruce Dawe, Anthony Lawrence, Mark Tredinnick, Lily Brett, Robert Adamson and Judith Beveridge.
No less illustrious has been the list of judges casting their eye over the entries, including Christopher Pollintz, Peter Porter, Chris Wallace-Crabbe, Paul Kavanagh, Les Murray, Dame Leonie Kramer, Fay Zwicky, Dorothy Hewett, Antigone Kefala and Robert Gray, Kim Cheng-Boey, Jennifer Harrison, Mark Tredinnick and Anna Kerdijk-Nicholson.
Coordinated by the Hunter Writers Centre since 2002, the Newcastle Poetry Prize is a significant cultural achievement and is a testament to the commitment of its sponsor - the University of Newcastle - to celebrate literary excellence in Australia.
One of the most lucrative poetry prizes in Australia, the Newcastle Poetry Prize offers $22,000 in total prize money with a first place award of $15,000, a second prize of $5,000 and third prize of $1,000. In addition, the $500 Local Award is given to a poet who resides in the Hunter Region. For young poets, The Harri Jones Memorial Prize awards $250 for the best poem by a poet under the age of 36.
Harri Jones Memorial Prize
In 2011, the Harri Jones Memorial Prize was incorporated into the Newcastle Poetry Prize and awarded to the best poem in the anthology by a poet under the age of 36. This prize was set up in 1965 after the tragic early death of T.H. (Harri) Jones. He was a Welsh poet, critic and lecturer in the English department at what was then a college of the University of NSW, subsequently to become the University of Newcastle. In the time from his arrival from the UK in 1959 Harri had a huge impact on the cultural and literary life of Newcastle. He is remembered not only for his own poetry (most recently published in the Complete Poems of T.H.Jones), but also for his virtuosity as a reader and a lecturer. He was known to hold his listeners riveted with his fine Welsh voice whether in class or at private readings. His friends and family set up a fund after his death to support a perpetual prize in his memory.
“The Newcastle Poetry Prize has brought many fine Australian poets to national attention… It not only gives much needed financial reward to the winning poet but increases their media profile and likelihood of achieving further publication.”
~ Mike Ladd, Poetica, ABC Radio National
“It proves that there is poetry in money after all, that a major prize like the Newcastle Poetry Prize can call in being poems that seem to say something that has never been said before, or say something that we all know in such new and memorable ways that it reads like a new knowledge, a new sense of future.”
~ Jennifer Harrison and Kim Cheng Boey, 2012 judges
“The Newcastle Poetry Prize is a unique award not only because it attracts submissions from an eclectic and diverse range of Australian writers each year but also because it publishes an anonymously selected collection of the best poems. This year we celebrate the award’s 30th anniversary and we appreciatively note the award’s longevity, its reputation and prestige.”
~ Jennifer Harrison and Keri Glastonbury, 2011 judges
“Australian poetry is emerging as one of the country’s most significant cultural achievements. There will come a time when the part played in this by the Newcastle Poetry Prize will be part of our national cultural history… No other city in Australia is so closely associated with such an important prize. The fact that Newcastle can manage a prize like this, and neither Sydney, nor Melbourne, for instance, can, is a matter for some wry observation.”
~ Martin Langford, NSW Poetry Development Officer
“It is no exaggeration to say that this Prize places Newcastle in the forefront of Australian poetry patronage. It encourages by rewarding excellent writing, it recognizes innovation, it garners new readers of poetry and new writers, and it helps to launch many careers, since being included is the year’s touchstone for excellence in poetry. It was the publication of three of my poems in the 1983 anthology that set me firmly on my path as an established poet.”
~ Jan Owen, 2008 Open Section Judge
“The Newcastle Poetry Prize is seen throughout this country as offering the major award for individual poems or suites of poems in Australia. Over the years it has consistently attracted the best poetic talents this country has produced. The reputation of this prize has put Newcastle on the map in cultural circles.”
~ Ron Pretty AM, Australian Poetry Centre
It’s always a delight to be short-listed for the Newcastle Poetry Prize, which is, I feel, Australia’s most significant poetry award. Some would use the word ‘prestigious’ rather than ‘significant’, but poetry isn’t and shouldn’t be about prestige. It’s about understanding what it is to be human. In this regard, the Newcastle Poetry Prize is unique in that it allows significant space to explore our humanity by encouraging the submission of extended pieces of poetry. I and so many other poets are grateful for The University of Newcastle’s ongoing and substantial sponsorship of such a prize. I would also like to thank the judges, Judith Beveridge and Robert Gray, for their acknowledgement of the place of prose poetry in our literature by short-listing my work for this award. I see a prose poem as a poem with one long line. It often finds itself out in the cold, neither regarded as one thing nor the other, and I’m delighted to see this important form acknowledged here.
~ John Foulcher, Commended award, 2015
“At the 2006 prize giving night, the University of Newcastle announced that in recognition of the value of the Newcastle Poetry Prize brings to the region as well as Australian poetry, it will continue its sponsorship a further five years, up until 2011. This was welcome news to anyone who believes in supporting the Arts, something not afforded in some countries at all. Sitting in the audience I was very proud to be living in Newcastle.”
~ Debra Hely, Past President of Poetry at the Pub, Newcastle
The Newcastle Poetry Prize is unique among Australian poetry prizes for producing an accompanying anthology. The Anthology provides a rare opportunity for being published outside of the literary journals and internet magazines. Alongside UQP’s Best Australian Poetry and BlackInc’s Best Australian Poems, the Newcastle Poetry Prize Anthology offers an annual snapshot of the thriving state of Australian Poetry, and in particular longer poems.
In the words of Highly Commended poet in the 2007 Competition and The Australian’s Poetry Editor, Barry Hill: “The Newcastle Poetry Prize should be congratulated for being such a patron of the long poem — a phenomenon which helps sustain seriousness in Australian poetry, and which tests judges as they should be tested.”
List of titles
2015 - Connective Tissue
2014 - Once Wild
2013 – Now You Shall Know
2012 – Coastline
2011 – Completely Surrounded (30 year anthology)
2011 – The Wombat Vedas
2010 – Time with the Sky
2009 – The Night Road
2008 – to Sculpt the Moment
2007 – eclogues
2006 – honey fills the cone
2005 – sunweight
2004 – the cool breath burn
Purchase an anthology online
The University of Newcastle provides over $20,000 in prize money and has been the major sponsor of the Prize since 2005.
The University of Newcastle was established in 1965 and is internationally recognised in research, teaching and learning, environmental sustainability, and equity and diversity. Some 35,000 students are enrolled in programs across the five faculties of the University. Over 85 undergraduate programs are on offer and the range of postgraduate study options is continually growing.
Past winners of the Newcastle Poetry Prize since 1981 were:
1981 - Kevin Hart
1982 - Peter Kocan
1983 - Craig Powell
1984 - John A Scott
1985 - Diane Fahey
1986 - Lily Brett
1987 - Dane Thwaites & Tracy Ryan
1988 - Kristopher Saknussem
1989 - John Bennett
1991 - Dorothy Hewett
1995 - Roland Leach
1996 - Philip Salom & Roland Leach & David Brooks
1997 - Anthony Lawrence
1999 - Brook Emery
2000 - Philip Salom
2002 - Emma Jones & John Watson & Jo Gardiner & Judy Johnson
2004 - Peter Kirkpatrick
2005 - Emma Jones
2006 - Nathan Shepherdson
2007 - Mark Tredinnick
2008 - David Musgrave
2009 - Patricia Sykes
2010 - Duncan Hose
2011 - Mark Tredinnick
2012 - David Musgrave
2013 - Jennifer Compton
2014 - Debi Hamilton and Anthony Lawrence
2015 - Anthony Lawrence
Hunter Writers Centre
HWC exists to nurture and promote writing culture within the Hunter region.
Located at: City Library, Laman St, Newcastle. NSW 2300.
Mobile: 0408 927 299
Community and Audience
In the words of the late Novocastrian poet, Bill Iden, “Newcastle’s environment makes its poets”.
The Newcastle Poetry Prize was born of community spirit and continues to respect its foundations in local cultural development. The Prize isn’t just an awards night – it is a comprehensive package of initiatives and events aimed at promoting poetry to a wider audience and cultivating Newcastle as a centre of excellence for poetry. These include:
25th Anniversary poetry reading at Gleebooks, Sydney (December 2006), featuring Sydney and Newcastle poets from anthologies in recent years
25th Anniversary poetry reading at Readings Port Melbourne store (April 2007), featuring Melbourne poets from anthologies in recent years
NPP sponsored New Media Workshop at the Emerging Writers’ Festival, Melbourne (May 2007), given by 2006 New Media winner, Phil Norton
New Media poetry panel discussion at the 2006 National Young Writers’ Festival featuring 2002 New Media Judge, Michael Meany and 2005 New Media Winner, James Stuart
Australia Council for the Arts application for funding for ‘The ShockWave of the New Media Poetry’ arts project which will team established poets with renowned web designers to produce best practice examples of this emerging art form (Approved Jan 2008)
‘How to read a poem’ workshop with Martin Langford to develop techniques for improving poets as readers of their own work (September 2007)
Liaison with curators of ‘Poets Paint Words’ exhibition re the selection of the Indigenous poet who participated in this project (Sam Wagan Watson) in 2007, and also re the selection of poets for the planned 2009 exhibition of the same name.
Provoking dialogue and debate about Australian Poetry in national forums (eg The Australian, Jan 11, 2008)
The judging process
A distinctive feature of the Newcastle Poetry Prize is that it is judged anonymously, meaning judges do not see the names of poets on each entry. This anonymous judging process gives both established and emerging poets an equal opportunity for recognition and publication.
Each year new judges are selected to judge the Prize.
2015 Judges: Judith Beveridge and Robert Gray
Thank you to:
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